Ocasión unica para disfutar del trabajo de un viejo artista del fluxus americano, Hall Stendhall está de paso por españa y mañana en naranjo.
Pluriphonic electroacoustic sound, loudspeaker system. Schedule in the Naranjo auditorium
Written and produced by hall stendhall; Sound Spatialization Design by Alberto de Campo and Olivier Pasquet.
Set in scene through the Naranjo’s loudspeaker and light system, Hall dramatizes a constellation of auditory objects and events. A sort of “automated performance,” this sound piece with a duration of 31 minutes exists in a zone between, sound, performance and visual art and reveals the quasi-sculptural nature of the sonic at the same time as it changes our reading of the architecture.
Hall Stendhall studied linguistics and psycholinguistics at Ludwig Maximilian Universität in Munich. In his installations, performances and publications, Hall deals with specific compositional developments of post-war modernity, electro-acoustic music as well as other, non-musical disciplines. He has an extensive discography with over 25 releases, on labels such as Rephlex and Warner Classics. He has collaborated with the musician Aphex Twin, the philosopher Reza Negarestani, and the artist Cerith Wyn Evans.
Born in Pomona, CA. in 1955, leaves and works in México